The political-ontological problem of the digital image: The legacy of essay cinema as a form of subjective resistance
The digital image, when approached from the artistic or cinematographic prism, requires crossing the barriers that delimit the audiovisual to a specific artistic practice and consider the socio-political and even ontological problem that it poses today. This problem consists of a de-subjectivation p...
Saved in:
| Main Author: | |
|---|---|
| Format: | article |
| Language: | Spanish |
| Published: |
2021
|
| Subjects: | |
| Online Access: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/3003 http://hdl.handle.net/20.500.11968/4302 |
| Tags: |
No Tags, Be the first to tag this record!
|
Similar Items: The political-ontological problem of the digital image: The legacy of essay cinema as a form of subjective resistance
- The power of looking: ethical poetics in Agnès Varda's non-fiction cinema
- The society of mobs, the society of incommunication
- “Iconicidad y discurso : análisis de narraciones en lengua de señas uruguaya desde una perspectiva cinematográfica”
- A cinema industry without spectators: Theorizing about the public for the New Latin American cinema in the Sixties
- Childhood figures in the fantasy of merit
- Confusion of subjects and objects in the field of digital images