A cinema industry without spectators: Theorizing about the public for the New Latin American cinema in the Sixties

Thorough studies on the New Latin American Cinema of the 1960s have mostly focused on issues such as ideology (a militant cinema), aesthetics (a cinema of poverty) and form (an imperfect cinema). However, a reflection upon the audience developed by the filmmakers has been strangely overlooked. This...

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Hlavní autor: Silveira, Germán (author)
Médium: article
Jazyk:španělština
Vydáno: 2015
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On-line přístup:https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/684
https://hdl.handle.net/10895/5937
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