A cinema industry without spectators: Theorizing about the public for the New Latin American cinema in the Sixties
Thorough studies on the New Latin American Cinema of the 1960s have mostly focused on issues such as ideology (a militant cinema), aesthetics (a cinema of poverty) and form (an imperfect cinema). However, a reflection upon the audience developed by the filmmakers has been strangely overlooked. This...
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| Médium: | article |
| Jazyk: | španělština |
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2015
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| On-line přístup: | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/684 https://hdl.handle.net/10895/5937 |
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