A cinema industry without spectators: Theorizing about the public for the New Latin American cinema in the Sixties
Thorough studies on the New Latin American Cinema of the 1960s have mostly focused on issues such as ideology (a militant cinema), aesthetics (a cinema of poverty) and form (an imperfect cinema). However, a reflection upon the audience developed by the filmmakers has been strangely overlooked. This...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | article |
| Langue: | espagnol |
| Publié: |
2015
|
| Sujets: | |
| Accès en ligne: | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/684 https://hdl.handle.net/10895/5937 |
| Tags: |
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires: A cinema industry without spectators: Theorizing about the public for the New Latin American cinema in the Sixties
- Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile
- Transnational Map: The International Film Festival Rotterdam and the Financial Framework of Recent Uruguayan Cinema
- From self-portrait to the portrait of a generation in Latin American cinema: genesis, staging and meaning
- The power of looking: ethical poetics in Agnès Varda's non-fiction cinema
- A history of the Argentine short film from the origins to modern cinema
- Film business and audience formation in Buenos Aires during the classic cinema period