Argentine classic cinema: space, look and self-reflexivity. The cases of La trampa and Cosas de mujer

This article proposes a rethinking of the canons of classic-industrial cinema in Argentina, from the analysis of two films of the period: La trampa (Christensen, 1949) and Cosas de mujer (Schlieper, 1951). Through the study of some of their staging operations, the construction of the spaces and the...

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Bibliographic Details

Main Author:	Pardo, Soledad (author)
Format:	article
Language:	Spanish
Published:	2017
Subjects:	artes escénicas historia del cine cine clásico argentino puesta en escena autorreflexividad performing arts history of Cinema Argentinian classic cinema staging self-reflexivity
Online Access:	https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1339 https://hdl.handle.net/10895/5970
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