The political-ontological problem of the digital image: The legacy of essay cinema as a form of subjective resistance

The digital image, when approached from the artistic or cinematographic prism, requires crossing the barriers that delimit the audiovisual to a specific artistic practice and consider the socio-political and even ontological problem that it poses today. This problem consists of a de-subjectivation p...

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Detalhes bibliográficos
Autor principal: Celedón Bórquez, Gustavo (author)
Formato: article
Idioma:espanhol
Publicado em: 2021
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Acesso em linha:https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/3003
http://hdl.handle.net/20.500.11968/4302
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