From paper to algorithm: the natural, the technological a priori and music in the Andes
In this article I want to show what Friedrich Kittler (1999) has called a priori technological influence the conceptualization of music that is occurring in the Andes so far in the 21st century. To do that I will refer to two different, but convergent experiences due to their role as media: the reco...
Uloženo v:
| Hlavní autor: | |
|---|---|
| Médium: | article |
| Jazyk: | španělština |
| Vydáno: |
2016
|
| Témata: | |
| On-line přístup: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2586 https://hdl.handle.net/20.500.11968/2875 http://hdl.handle.net/20.500.11968/2875 |
| Tagy: |
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
|
Podobné jednotky: From paper to algorithm: the natural, the technological a priori and music in the Andes
- Influence of the architecture of the temple of Carabuco in the transmission of the evangelizing message in Los Andes, Bolivia
- How do ectotherms perform in cold environments? Physiological and life-history traits in an Andean viviparous lizard
- Cápsulas de tiempo. Historia de la grabación y reproducción del sonido en Uruguay (1877-1919)
- CARAT : computer-aided rhythmic analysis toolbox
- The Impact of Digital Technology in the Music Industry
- Validity and factorial invariance of the Interpersonal Reactivity Index in Peruvian university students