The Girl, the Forest, the Wind and All the Memory in the World. Sensory Paths in Paz Encina’s EAMI

EAMI, the fourth feature film by Paz Encina, introduces an ethical interest in the construction of a memory already present in Encina´s previous films, but here it assumes a cosmopolitics that redefines the relationships between humans and the more than human. In its ways of accounting for the extra...

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Autore principale:	Depetris Chauvin, Irene (author)
Natura:	article
Lingua:	spagnolo
Pubblicazione:	2022
Soggetti:	cine paraguayo antropología visual y sensorial materialismos afectos extractivismo memoria Paraguayan cinema visual and sensory anthropology materialisms affects extractivism memory
Accesso online:	https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/3032 https://hdl.handle.net/10895/6080
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