Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy

This article explores how new generations of filmmakers represent the last Uruguayan dictatorship (1973–1985) through a comparative analysis of two documentaries directed by filmmakers born in democracy: Ópera Prima (Banina, 2018) and Delia (Pena, 2022). Framed within debates on memory, postmemory,...

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Kaituhi matua:	González-Dambrauskas, Santiago (author)
Hōputu:	article
Reo:	Pāniora
I whakaputaina:	2025
Ngā marau:	Uruguay cinema documentary postmemory dictatorship cine documental posmemoria dictadura Uruguai documentário pós-memória ditadura
Urunga tuihono:	https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761 https://hdl.handle.net/10895/6148
Ngā Tūtohu:	Tāpirihia he Tūtohu Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!