Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy

This article explores how new generations of filmmakers represent the last Uruguayan dictatorship (1973–1985) through a comparative analysis of two documentaries directed by filmmakers born in democracy: Ópera Prima (Banina, 2018) and Delia (Pena, 2022). Framed within debates on memory, postmemory,...

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Autore principale: González-Dambrauskas, Santiago (author)
Natura: article
Lingua:spagnolo
Pubblicazione: 2025
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Accesso online:https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761
https://hdl.handle.net/10895/6148
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author González-Dambrauskas, Santiago
author_browse González-Dambrauskas, Santiago
author_facet González-Dambrauskas, Santiago
author_role author
collection LIBERI
dc.creator.none.fl_str_mv González-Dambrauskas, Santiago
dc.date.none.fl_str_mv 2025-09-26
2025-12-22T16:37:44Z
2025-12-22T16:37:44Z
dc.format.none.fl_str_mv application/pdf
text/html
dc.identifier.none.fl_str_mv https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761
10.22235/d.v39.4761
https://hdl.handle.net/10895/6148
dc.language.none.fl_str_mv spa
dc.publisher.none.fl_str_mv Universidad Católica del Uruguay
dc.relation.none.fl_str_mv https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761/3926
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761/3928
dc.rights.none.fl_str_mv Derechos de autor 2025 Dixit
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv Dixit; Vol. 39 (2025): Dixit; e4761
Dixit; Vol. 39 (2025): Dixit; e4761
Dixit; Vol. 39 (2025): Dixit; e4761
0797-3691
1688-3497
10.22235/d.v39
reponame:LIBERI
instname:Universidad Católica del Uruguay
instacron:Universidad Católica del Uruguay
dc.subject.none.fl_str_mv Uruguay
cinema
documentary
postmemory
dictatorship
Uruguay
cine
documental
posmemoria
dictadura
Uruguai
cinema
documentário
pós-memória
ditadura
dc.title.none.fl_str_mv Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
Representaciones de la dictadura uruguaya desde la óptica de cineastas nacidos en democracia
Representações da ditadura uruguaia a partir da ótica de cineastas nascidos na democracia
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artículos
info:eu-repo/semantics/publishedVersion
description This article explores how new generations of filmmakers represent the last Uruguayan dictatorship (1973–1985) through a comparative analysis of two documentaries directed by filmmakers born in democracy: Ópera Prima (Banina, 2018) and Delia (Pena, 2022). Framed within debates on memory, postmemory, and intergenerational transmission, the study identifies a shift from the cinematographic discourses of earlier generations, which were generally characterized by the direct depiction of historical events and explicit political advocacy. In contrast, recent productions adopt first-person narratives that examine the consequences of the past from an intimate, domestic, and affective perspective.
eu_rights_str_mv openAccess
format article
id anni_477eef96719d5dcbb06e479f77fa9017
identifier_str_mv 10.22235/d.v39.4761
instacron_str Universidad Católica del Uruguay
institution Universidad Católica del Uruguay
instname_str Universidad Católica del Uruguay
language spa
network_acronym_str anni
network_name_str oai-lr-anni
oai_identifier_str oai:liberi.ucu.edu.uy:10895/6148
publishDate 2025
publishDateSort 2025
publisher.none.fl_str_mv Universidad Católica del Uruguay
reponame_str LIBERI
repository.mail.fl_str_mv
repository.name.fl_str_mv
repository_id_str
rights_invalid_str_mv Derechos de autor 2025 Dixit
https://creativecommons.org/licenses/by/4.0
spelling Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in DemocracyRepresentaciones de la dictadura uruguaya desde la óptica de cineastas nacidos en democraciaRepresentações da ditadura uruguaia a partir da ótica de cineastas nascidos na democraciaGonzález-Dambrauskas, SantiagoUruguaycinemadocumentarypostmemorydictatorshipUruguaycinedocumentalposmemoriadictaduraUruguaicinemadocumentáriopós-memóriaditaduraThis article explores how new generations of filmmakers represent the last Uruguayan dictatorship (1973–1985) through a comparative analysis of two documentaries directed by filmmakers born in democracy: Ópera Prima (Banina, 2018) and Delia (Pena, 2022). Framed within debates on memory, postmemory, and intergenerational transmission, the study identifies a shift from the cinematographic discourses of earlier generations, which were generally characterized by the direct depiction of historical events and explicit political advocacy. In contrast, recent productions adopt first-person narratives that examine the consequences of the past from an intimate, domestic, and affective perspective.El artículo explora la forma en la que las nuevas generaciones de cineastas representan la última dictadura uruguaya (1973-1985), a partir de un análisis comparativo de dos documentales dirigidos por realizadores nacidos en democracia: Ópera prima (Marcos Banina, 2018) y Delia (Victoria Pena, 2022). El trabajo, enmarcado en los debates sobre la memoria, la posmemoria y la transmisión intergeneracional, permite identificar un desplazamiento de los discursos cinematográficos desarrollados sobre la temática por otras generaciones, en general caracterizados por una exposición directa de los hechos históricos y una reivindicación política explícita. En contraste, las producciones recientes evidencian un giro hacia narrativas en primera persona que cuestionan las consecuencias de lo ocurrido desde un punto de vista que privilegia lo íntimo, lo doméstico y lo afectivo.O artigo explora a forma como as novas gerações de cineastas representam a última ditadura uruguaia (1973-1985), a partir de uma análise comparativa de dois documentários dirigidos por realizadores nascidos na democracia: Ópera prima (Marco Banina, 2018) e Delia (Victoria Pena, 2022). A pesquisa, situada nos debates sobre memória, pós-memória e transmissão intergeracional, permite identificar um deslocamento dos discursos cinematográficos desenvolvidos sobre a temática por outras gerações, em geral caracterizados por uma exposição direta dos fatos históricos e uma reivindicação política explícita. Em contraste, as produções recentes evidenciam uma mudança para narrativas em primeira pessoa que problematizam as consequências do ocorrido a partir de um ponto de vista que privilegia o íntimo, o doméstico e o afetivo.Universidad Católica del Uruguay2025-09-262025-12-22T16:37:44Z2025-12-22T16:37:44Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/476110.22235/d.v39.4761https://hdl.handle.net/10895/6148Dixit; Vol. 39 (2025): Dixit; e4761Dixit; Vol. 39 (2025): Dixit; e4761Dixit; Vol. 39 (2025): Dixit; e47610797-36911688-349710.22235/d.v39reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayspahttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761/3926https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761/3928Derechos de autor 2025 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:liberi.ucu.edu.uy:10895/61482026-06-16T06:53:21Z
spellingShingle Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
González-Dambrauskas, Santiago
Uruguay
cinema
documentary
postmemory
dictatorship
Uruguay
cine
documental
posmemoria
dictadura
Uruguai
cinema
documentário
pós-memória
ditadura
status_str publishedVersion
title Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
title_full Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
title_fullStr Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
title_full_unstemmed Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
title_short Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
title_sort Representations of the Uruguayan Dictatorship from the Perspective of Filmmakers Born in Democracy
topic Uruguay
cinema
documentary
postmemory
dictatorship
Uruguay
cine
documental
posmemoria
dictadura
Uruguai
cinema
documentário
pós-memória
ditadura
url https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4761
https://hdl.handle.net/10895/6148