Cinema for the Ears. Analysis of the Sound Design of the Film Babel
This article seeks to unravel the procedures and strategies in the sound design of the film Babel (2006), and its dialogue with the other cinematographic components, to explore how they contribute in a propositive and expressive way when sound is used in a narrative discourse. To this end, an immers...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | article |
| 言語: | スペイン語 |
| 出版事項: |
2018
|
| 主題: | |
| オンライン･アクセス: | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1694 https://hdl.handle.net/10895/6000 |
| タグ: |
タグなし, このレコードへの初めてのタグを付けませんか!
|
| 要約: | This article seeks to unravel the procedures and strategies in the sound design of the film Babel (2006), and its dialogue with the other cinematographic components, to explore how they contribute in a propositive and expressive way when sound is used in a narrative discourse. To this end, an immersion in the sound proposal of the film is carried out using the methodology proposed by Michel Chion in his book Audiovisión. This type of analysis highlights the potential of sound as a creator of storytelling and discourse in audiovisual products, and enables a richer perception of contexts than those approaches that restrict study to a single glance. |
|---|