Printed image and city, Buenos Aires (1890-1910)
The last years of the XIX century in Buenos Aires witnessed important changes both in the field of graphics, with the introduction of new techniques, circulation of printed objects and images, as well as in the perception and experience of the city. The transformations of space, both public and priv...
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| Materiálatiipa: | article |
| Giella: | espánnjágiella |
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2018
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| Liŋkkat: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2705 https://hdl.handle.net/20.500.11968/3480 http://hdl.handle.net/20.500.11968/3480 |
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| Čoahkkáigeassu: | The last years of the XIX century in Buenos Aires witnessed important changes both in the field of graphics, with the introduction of new techniques, circulation of printed objects and images, as well as in the perception and experience of the city. The transformations of space, both public and private, and their representations, account for new practices of sociability, new meanings and the formation of a new visual culture around the “metropolis” and “progress”. The railway, as transport and technology, but also as a visible mark in space, will also play a role in these changes, and its representations will be closely linked with them. The printed image, beyond its multiple relationships with the artistic field, has its own characteristics in terms of its modes of production (more or less handmade, more or less industrial), its materiality (inserted in various supports, multiple, with greater or lesser link to a textual discourse), and circulation networks involved. In this direction, it is proposed to think in which particular ways the printed images appeared in this context were related to the perception and experience of space, new technologies and urban consumption. |
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