Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia

The article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Félix Ortiz de Taranco(1866-1940) and Fernando García Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part...

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Main Author: Porley, Carolina (author)
Format: article
Language:Spanish
Published: 2018
Subjects:
Online Access:http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203
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author Porley, Carolina
author_browse Porley, Carolina
author_facet Porley, Carolina
author_role author
collection REDUM
dc.creator.none.fl_str_mv Porley, Carolina
dc.date.none.fl_str_mv 2018-06-06
dc.format.none.fl_str_mv application/pdf
text/html
dc.identifier.none.fl_str_mv http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203
10.25185/3.5
dc.language.none.fl_str_mv spa
dc.publisher.none.fl_str_mv Universidad de Montevideo. Facultad de Humanidades y Educación
dc.relation.none.fl_str_mv http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203/220
http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203/232
dc.rights.none.fl_str_mv Derechos de autor 2018 Carolina Porley
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
Atribución 4.0 Internacional
dc.source.none.fl_str_mv Humanidades: revista de la Universidad de Montevideo; No. 3 (2018): Historias entrelazadas; 125-154
Humanidades: revista de la Universidad de Montevideo; Núm. 3 (2018): Historias entrelazadas; 125-154
Humanidades: revista de la Universidad de Montevideo; n. 3 (2018): Historias entrelazadas; 125-154
2301-1629
1510-5024
10.25185/v3
reponame:REDUM
instname:Universidad de Montevideo
instacron:Universidad de Montevideo
dc.subject.none.fl_str_mv Hispanismo
coleccionismo
mercado del arte
patrimonio artístico
Félix Ortiz de Taranco
Fernando García Casalia
Hispanism
collecting
art market
artistic heritage
Félix Ortiz de Taranco
Fernando García Casalia
Hispanismo
Coleção
Mercado da arte
Património artístico
Félix Ortiz de Taranco
Fernando García Casalia
dc.title.none.fl_str_mv Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
Hispanismo y coleccionismo artístico en Uruguay (1910-1940). Las pinacotecas de Félix Ortiz de Taranco y Fernando García Casalia
Hispanismo e colecionismo de arte no Uruguai (1910-1940). As colecções de arte de Félix Ortiz de Taranco e Fernando García Casalia.
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer reviewed article.
Artículo evaluado por pares.
Artigo revisto pelos pares.
publishedVersion
info:eu-repo/semantics/publishedVersion
description The article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Félix Ortiz de Taranco(1866-1940) and Fernando García Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part of the country’s artistic heritage. The article analyzes how these private galleries were formed, and the impact that Hispanism as a cultural movement had on the art consumption of the period. It also explores the relationship between the local art market and the economic and social development of Spanish immigrants. Both collectors’ cultural consumptions models are examined by comparing their collections, analyzing some emblematic paintings and exploiting documentary sources which had had not been previously researched.
eu_rights_str_mv openAccess
format article
id anni_608d7bce87d06ddb4989e8df3065d4e7
identifier_str_mv 10.25185/3.5
instacron_str Universidad de Montevideo
institution Universidad de Montevideo
instname_str Universidad de Montevideo
language spa
network_acronym_str anni
network_name_str oai-lr-anni
oai_identifier_str oai:redum.um.edu.uy:20.500.12806/2197
publishDate 2018
publishDateSort 2018
publisher.none.fl_str_mv Universidad de Montevideo. Facultad de Humanidades y Educación
reponame_str REDUM
repository.mail.fl_str_mv
repository.name.fl_str_mv
repository_id_str
rights_invalid_str_mv Derechos de autor 2018 Carolina Porley
http://creativecommons.org/licenses/by/4.0
Atribución 4.0 Internacional
spelling Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García CasaliaHispanismo y coleccionismo artístico en Uruguay (1910-1940). Las pinacotecas de Félix Ortiz de Taranco y Fernando García CasaliaHispanismo e colecionismo de arte no Uruguai (1910-1940). As colecções de arte de Félix Ortiz de Taranco e Fernando García Casalia.Porley, CarolinaHispanismocoleccionismomercado del artepatrimonio artísticoFélix Ortiz de TarancoFernando García CasaliaHispanismcollectingart marketartistic heritageFélix Ortiz de TarancoFernando García CasaliaHispanismoColeçãoMercado da artePatrimónio artísticoFélix Ortiz de TarancoFernando García CasaliaThe article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Félix Ortiz de Taranco(1866-1940) and Fernando García Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part of the country’s artistic heritage. The article analyzes how these private galleries were formed, and the impact that Hispanism as a cultural movement had on the art consumption of the period. It also explores the relationship between the local art market and the economic and social development of Spanish immigrants. Both collectors’ cultural consumptions models are examined by comparing their collections, analyzing some emblematic paintings and exploiting documentary sources which had had not been previously researched.Se aborda el surgimiento de dos importantes pinacotecas de arte español reunidas en Montevideo por los empresarios y coleccionistasFélix Ortiz de Taranco (1866-1940) y Fernando García Casalia (1887-1945), las cuales fueron cedidas al Estado en la década de 1940 y hoy forman parte del patrimonio artístico público. Se desarrollan los elementos que intervinieron en la formación de dichos conjuntos: el impacto del Hispanismo como  corriente cultural sobre el consumo artístico del período y la relación entre el mercado del arte y el ascenso económico y social de inmigrantes de origen peninsular. A partir de fondos documentales hasta ahora no utilizados por el investigador, se estudian ambas  pinacotecas privadas, marcando similitudes y diferencias en los modelo de consumo cultural de sus propietarios, y analizando algunas obras emblemáticas de las mismas.Trata do aparecimento de duas importantes galerias de arte espanholas reunidas em Montevideu pelos empresários e coleccionadores Félix Ortiz de Taranco (1866-1940) e Fernando García Casalia (1887-1945).Félix Ortiz de Taranco (1866-1940) e Fernando García Casalia (1887-1945), que foram cedidas ao Estado na década de 1940 e hoje fazem parte do património artístico público. São desenvolvidos os elementos envolvidos na formação destes grupos: o impacto do hispanismo como corrente cultural no consumo artístico da época e a relação entre o mercado da arte e a ascensão económica e social dos imigrantes de origem peninsular. Com base em fontes documentais até agora não utilizadas pelo investigador, estudam-se as duas galerias de arte privadas, destacando semelhanças e diferenças nos padrões de consumo cultural dos seus proprietários e analisando algumas das suas obras emblemáticas.Universidad de Montevideo. Facultad de Humanidades y Educación2018-06-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer reviewed article.Artículo evaluado por pares.Artigo revisto pelos pares.publishedVersioninfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttp://revistas.um.edu.uy/index.php/revistahumanidades/article/view/20310.25185/3.5Humanidades: revista de la Universidad de Montevideo; No. 3 (2018): Historias entrelazadas; 125-154Humanidades: revista de la Universidad de Montevideo; Núm. 3 (2018): Historias entrelazadas; 125-154Humanidades: revista de la Universidad de Montevideo; n. 3 (2018): Historias entrelazadas; 125-1542301-16291510-502410.25185/v3reponame:REDUMinstname:Universidad de Montevideoinstacron:Universidad de Montevideospahttp://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203/220http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203/232Derechos de autor 2018 Carolina Porleyhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAtribución 4.0 Internacionaloai:redum.um.edu.uy:20.500.12806/21972026-06-16T07:03:44Z
spellingShingle Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
Porley, Carolina
Hispanismo
coleccionismo
mercado del arte
patrimonio artístico
Félix Ortiz de Taranco
Fernando García Casalia
Hispanism
collecting
art market
artistic heritage
Félix Ortiz de Taranco
Fernando García Casalia
Hispanismo
Coleção
Mercado da arte
Património artístico
Félix Ortiz de Taranco
Fernando García Casalia
status_str publishedVersion
title Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
title_full Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
title_fullStr Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
title_full_unstemmed Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
title_short Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
title_sort Hispanism and art collecting in Uruguay (1910-1940). The pinacotheques of Felix Ortiz de Taranco and Fernando García Casalia
topic Hispanismo
coleccionismo
mercado del arte
patrimonio artístico
Félix Ortiz de Taranco
Fernando García Casalia
Hispanism
collecting
art market
artistic heritage
Félix Ortiz de Taranco
Fernando García Casalia
Hispanismo
Coleção
Mercado da arte
Património artístico
Félix Ortiz de Taranco
Fernando García Casalia
url http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/203