Printed image and social action. The decoration of the book from the interior of Atalaya’s cultural project (1922-1927)
Atalaya (Alfredo Chiabra Acosta) represented one of the fundamental actors for art criticism within the framework of the avant-garde renovating trends of the 1920s. However, enrolled in the ranks of anarchism since his youth, he forged from his critical work a defense of those artistic expressions c...
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| Format: | article |
| Language: | Spanish |
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2018
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| Online Access: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2701 https://hdl.handle.net/20.500.11968/3476 http://hdl.handle.net/20.500.11968/3476 |
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