The National as Transnational Spectacle: The Case of Digan lo que digan (Mario Camus, 1968)
This article examines a largely unexplored dimension of 1960s transnational popular cinema through the case study of Digan lo que digan (Mario Camus, 1968), a Spanish–Argentine co-production starring singer Raphael. By analyzing this film, the study seeks to shed light on the industrial, aesthetic,...
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| Format: | article |
| Language: | Spanish |
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2025
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| Online Access: | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/4661 https://hdl.handle.net/10895/6144 |
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